Blasphemous 2 - All Bosses - LIGHTNING Sarmiento & Centella & Prayers (No Hit | 4K 60FPS UltraHD)

FINALLY, I finished all bosses hitlessly with all three weapons! Sarmiento & Centella is the most challenging weapon to wield, but it's equally potent as other weapons due to its "dash attack" (yup, you can cheese the game with this move) and parry counter moves. In fact, I've managed to defeat all bosses without taking any damage for a long time ago, except for Susona - Fermosa Fembra, which proved too difficult to conquer with rapier and dagger. I've tried over 200 times before finally succeeding. Here's the timestamp: 0:00 Faceless One, Chisel of Oblivion 1:11 Great Preceptor Radamés 2:38 Orospina, Lady Embroiderer 3:29 Lesmes, Incorrupt Sacristan 3:53 Sleeping Infanta 4:17 Lesmes & Infanta 5:04 Afilaor, Sentinel of the Emery 6:22 Benedicta of the Endless Orison 7:04 Odón of the Confraternity of Salt 8:22 Sínodo, Hymn of the Thousand Voices 9:23 Svsona, Fermosa Fembra 13:13 Eviterno, First of the Penitents 13:50 Eviterno, Last Desecrator 15:26 Incarnate Devotion Surprisingly, excluding Susona's time-consuming nature, Sarmiento & Centella actually takes less time than Ruego Al Alba. Indeed, many people consider the rapier and dagger to be weak, but this video of mine has proven otherwise: the strength of a weapon depends on the player. Thank you all for watching. Remember to subscribe to the channel, like, share, and comment to support me. I hope you enjoy this 4K, 60fps, UltraHD video. See you next time. I also have some special videos on Blasphemous and Blasphemous 2, you can check them here: Why VIRIDIANA is the best NPC ever:    • From Luis Buñuel to Blasphemous: VIRIDIANA   Why RUEGO AL ALBA is the most ICONIC symbol in Blasphemous 2:    • The Most ICONIC Symbol in Blasphemous 2: R...   Things we can PARRY in Blasphemous 2:    • After 300 hours, here are things you can P...   Follow me for more: Facebook:   / phuc.lehoang.177   Substack: https://kusy.substack.com/ Letterboxd: https://letterboxd.com/lehoangphuc/