Curator's Perspective: "Art and War: Propaganda, Conscience, and the Power of Objectivity"
This lecture will consider the historical representation of war in the context of the exhibitions Goya: The Disasters of War and Steve Mumford's War Journals, 2003--2013. While much war-related art has functioned as propaganda—diminishing the humanity of the enemy and emphasizing the glorious defense of homeland or ideology—other art employs extreme emotionalism to open eyes and hearts to the brutality of war. A third path, meant to dispassionately record the day-to-day reality of a war zone, avoids overt propagandizing or emotional manipulation. The lecture will raise the questions: Why do artists depict conflict? How and by whom are their images used? Does their work change anything?

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Jürgen Habermas Lecture: Myth and Ritual

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Janis Tomlinson: "From Capricho to Fatal Consequences: Goya's Imagery of War 1809-1814"

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Michael Parenti, The Darker Myths of Empire: Heart of Darkness Series

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Artist's Perspective: Steve Mumford's War Journals, 2003-2013

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