Raag Yaman Kalyan | Shyam Bajaye Aaj Muraliya | Pandit Bhimsen Joshi

Raag Yaman Kalyan | Shyam Bajaye Aaj Muraliya | Pandit Bhimsen Joshi Yaman Kalyan is a Hindustani classical raga, related to Yaman. The movement of this raga is like Yaman, except that in the descent, it gently touches the flat madhyam using the GmG pattern occasionally. Ustad Dhyanesh Khan used to say that the flat madhyam in Yaman Kalyan is like the beautiful face of a veiled woman that comes out of the veil occasionally but disappears behind it almost instantaneously. As it is related to Yaman, it is a part of the Kalyan thaat. Pandit Bhimsen Gururaj Joshi (4 February 1922 – 24 January 2011), also known by the honorific prefix Pandit, was one of the greatest Indian vocalists from Karnataka, in the Hindustani classical tradition. He is known for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs). Joshi belongs to the Kirana gharana tradition of Hindustani Classical Music. He is noted for his concerts, and between 1964 and 1982 Joshi toured Afghanistan, Italy, France, Canada and USA. He was the first musician from India whose concerts were advertised through posters in New York City.[1][2] Joshi was instrumental in organising the Sawai Gandharva Music Festival annually, as homage to his guru, Sawai Gandharva. In 1998, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Subsequently, he received the Bharat Ratna, India's highest civilian honour, in 2009. Bhimsen Joshi was born on 4 February 1922 in a Kannada Deshastha Madhva Brahmin family to Gururajrao Joshi and Godavaribai at Gadag in Dharwad district that was then in the Bombay Presidency of British India. His father, Gururaj Joshi, was a school teacher. Bhimsen was the eldest among 16 siblings. He lost his mother at a young age. As a child, Pandit Bhimsen Joshi was fascinated with music and musical instruments like the harmonium and tanpura and would often follow processions accompanied by music bands. This exercise often tired him and he would curl up somewhere and sleep, forcing his parents to go to the police after efforts to trace him failed. Fed up, his father Gururajacharya Joshi came up with the solution, writing "son of teacher Joshi" on Bhimsen Joshi's shirts. This worked and those who found the boy sleeping would safely deposit him back to his house.