O Premiere é RUIM para Color? (O Oscar discorda)

🔥 MY PREMIERE PRO COURSE 🔥 https://rodrigorosa.framer.website/ ------------------ My Setup ZVe10 - https://amzn.to/4r3cAiy Sigma 16mm 1.4 - https://amzn.to/3K1cDL8 Hydraulic Head Tripod - https://mercadolivre.com/sec/1P4otjT Amaran 300c - https://mercadolivre.com/sec/2n2YUBj (Alternative) Ulanzi 120w - https://s.click.aliexpress.com/e/_c4e... 4m Light Tripod - https://mercadolivre.com/sec/2gpiGxi Triopo 120cm Softbox - https://s.click.aliexpress.com/e/_c3L... Vl119 - Backlight - https://mercadolivre.com/sec/2okJAhb Instagram: @film.rodrigorosa -------------------- For years, editors believed that to achieve professional-level color grading, it was mandatory to leave Premiere and migrate to DaVinci Resolve. But what if I told you that the Academy of Motion Picture Arts and Sciences (the same one that awards the Oscars) proves that this is no longer true? In this video, I debunk the myth that Premiere isn't suitable for color grading. We'll dive deep into ACES (Academy Color Encoding System) and how the Premiere Pro 25.2 update changed THE GAME, bringing Hollywood-level color science into our favorite software. ---------------------- My Setup ZVe10 - https://amzn.to/4r3cAiy Sigma 16mm 1.4 - https://amzn.to/3K1cDL8 Hydraulic Head Tripod - https://mercadolivre.com/sec/1P4otjT Amaran 300c - https://mercadolivre.com/sec/2n2YUBj (Alternative) Ulanzi 120w - https://s.click.aliexpress.com/e/_c4e... 4m Light Tripod - https://mercadolivre.com/sec/2gpiGxi Triopo 120cm Softbox - https://s.click.aliexpress.com/e/_c3L... Vl119 - Backlight - https://mercadolivre.com/sec/2okJAhb ------------------------- 00:00 - The Myth: "Premiere is BAD for Color" 00:08 - The Proof (Coming from the Oscars) 00:18 - The 2004 Problem (Multiple cameras, multiple colors) 00:44 - The Old Way of Coloring in Premiere (The "Funnel") 01:00 - What is ACES? (The Academy's "Universal Translator") 01:26 - The BIG Change in Premiere (Update 25.2) 01:46 - Premiere vs. Resolva: Is the Difference Over? 02:00 - The Truth: Hollywood Level in Premiere 02:15 - [Intermission] My Complete Course 02:25 - DEMONSTRATION: ACES vs. Old Workflow 03:11 - Setting up the ACES Sequence (Wide Range) 04:01 - Setting up the Old Sequence (Rec.709 + LUT) 04:58 - Visual Comparison (Why the "funnel" is bad) 06:45 - The DECISIVE TEST (Pulling the Exposure) 08:23 - Why ACES preserves ALL the information 08:43 - Conclusion: It's about KNOWING how to use the tool