How Oppenheimer's Sets Were Built Without CGI | Vanity Fair

Production designer Ruth De Jong shows us how she brought Christopher Nolan's vision to life for his iconic film 'Oppenheimer.' How do you portray scale with sets? What goes into building a 360 set? From ample research to gather all the intricate details to physically bringing the sets to life, Ruth takes us through her genius design process of the film. Director: Funmi Sunmonu Director of Photography: AJ Young Editor: Cory Stevens Talent: Ruth De Jong Producer: Juliet Lopez Line Producer: Romeeka Powell Associate Producer: Emebeit Beyene Production Manager: Andressa Pelachi and Kevin Balash Associate Director, Talent:: Meredith Judkins Camera Operator: Marques Smith Sound : Kara Johnson Production Assistant: Liza Antonova Set Designer: Cedar Jocks Post Production Supervisor: Christian Olguin Post Production Coordinator: Jovan James Supervising Editor: Erica DeLeo Assistant Editor: Andy Morell Graphics Supervisor: Ross Rackin Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M Want to stay in the know? Subscribe to Vanity Fair Magazine and be exquisitely informed ►► http://vntyfr.com/2RuQGW2 ABOUT VANITY FAIR Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.