Dolora Zajick: Mussorgsky - Khovanshchina, 'Marfas Prophecy'
Dolora Zajick (pronounced ZAH jick) (born 24 March 1952 in Salem, Oregon) is an American mezzo-soprano who specializes in the Verdian repertoire. Zajick is arguably the leading exponent in the dramatic Verdian mezzo-soprano repertoire in the world today and has been described as having "one of the greatest voices in the history of opera". After winning the Bronze Medal at the 7th International Tchaikovsky Competition in Moscow and being accepted in the San Francisco Opera's Merola Program, she debuted with the San Francisco Opera as Azucena in Il trovatore which launched her to international stardom. In addition to the role of Azucena, Zajick is well known for her interpretations of Amneris and Eboli (in Verdi's Aida and Don Carlo respectively). Zajick has also performed in other Verdi roles, including Ulrica in Un ballo in maschera and Lady Macbeth in Macbeth. She has also appeared as the Princess in Cilea's Adriana Lecouvreur, Marfa in Moussorgsky's Khovanshchina, Jezibaba in Dvořák's Rusalka, Joan in Tchaikovsky's The Maid of Orleans, Santuzza in Mascagni's Cavalleria Rusticana and Adalgisa in Bellini's Norma. In 2005, she created the role of Elvira Griffiths in Tobias Picker's An American Tragedy at the Metropolitan Opera, New York. In recent years she made her debut as Ortrud in Wagner's Lohengrin with Los Angeles Opera under the baton of James Conlon, and as The Old Countess in Tchaikovsky's The Queen of Spades also at the Metropolitan Opera in New York. In 2012, San Francisco Opera announced that in the fall of 2013, Zajick would star in the title role of Tobias Picker and J.D. McClatchy's opera Dolores Claiborne, based on Steven King's novel of the same name. Since her debut in San Francisco, she has sung with such companies as Nevada Opera in Reno, Nevada, Metropolitan Opera in New York, Lyric Opera of Chicago, Houston Grand Opera, Arena di Verona, Vienna State Opera, Opera Bastille, La Scala, and the Royal Opera, Covent Garden. She has appeared with some of the foremost conductors of her era including James Conlon, Daniele Gatti, Valery Gergiev, James Levine, Lorin Maazel, Zubin Mehta, Riccardo Muti, and Michael Tilson Thomas. Since 2006, in addition to her performing career, Zajick has been a driving force in the work of the Institute for Young Dramatic Voices. This was created to address the severe shortage of large, dramatic voices, especially for the great roles of the Verdi, Strauss and Wagner repertoire, by finding, developing, and inspiring the next generation of these unique talents so they may reach the world's great opera stages... http://en.wikipedia.org/wiki/Dolora_Z... A link to this wonderful artists personal Website: http://www.dolorazajick.com/ Please enjoy! I send my kind and warm regards,

Dolora Zajick: Donizetti - La Favorite, 'O mon Fernand'

Elena Obraztsova: Mussorgsky- Khovanshchina, 'Marfas Prophecy'

My Golden Retriever Heals a Terrified Rescue Kitten in Just 3 Meetings!

Dolora Zajick, "La luce langue"

1970s French Retro Chanson | Sweet Romance & Tender Melodies | Slow Cafe Moments (60s 70s 80s)

Monty Python - the sketch from Holland (1973)

Princess Of Boogie Woogie Delights Everyone

When Wild Animals Get Way Too Close 😱

John Mearsheimer: The End of Russian Restraint & New U.S. Grand Strategy

Тамара Синявская – Сцена гадания Марфы из оперы «Хованщина» (1980)

Typical Soviet Apartment Tour (How Russian People REALLY Live)

Dolora Zajick: Saint-Saëns - Samson et Dalila, 'Mon cœur s'ouvre à ta voix'

IRINA ARKHIPOVA- Aria's Marfa "Khovanshchina" 9/23

When Animals Surprise Photographers in the Sweetest Way! 😍

SSPX Just Consecrated 4 Bishops Without Pope Leo XIV's Consent - A Schism Just Began

Unbelievable Smart Worker & Hilarious Fails | Construction Compilation #8 #adamrose #smartworkers

Prokofiev, The Field of the Dead, Ewa Podleś, contralto (subtitles)

Юрий Яковлев, Андрей Миронов, Владимир Этуш. Вступительные экзамены в театральное училище (1980)

Handel: Alcina, HWV 34, Act II: Aria. Ah! mio cor! (Live)

