Cinematographers who grade like this get better color
Resolve has nearly a dozen tools labeled "saturation," and 99% of filmmakers are using the wrong one. In part 3 of my "Color Grading for DPs" series, I'll show you my favorite hidden sat tool (hint: it doesn't even use the word "saturation"), why I prefer it, and how to know whether your image needs more saturation at all. ______________________________________________ Grab Referent, my free shooting and grading LUT. It works with every major camera and it'll make your images look dramatically better — whether you're on set or in the grade. https://cullenkellycolor.com/toolkit/... Want to take this further? Join Grade School, my free AMA livestream where we go deeper on the ideas in this series and I answer your questions live. Sessions are every other Friday at 10am Pacific, and I always announce them at the beginning of the week here on the channel. More resources available at https://cullenkellycolor.com/toolkit/all
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Pro Colorist Explains: Hue vs Hue Curves in Resolve
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yeah... no wonder movies look cheap on new TVs
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10 Essential Color Editing Techniques in Lightroom
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How IMAX 70MM Film is Scanned and Printed!
Pro colorist contrast secrets for cinematographers
Has Colour Grading Got Too Complicated? 5 PRO Fundamentals
I unlocked Resolve's secret film sauce
Why You Should Care About Lighting Ratios
STOP USING S CURVES, Pro's do THIS instead
This is 80% of what makes your image look great (use it well)
Pro Colorist Explains: Five Bleach Bypass Techniques
How to use ColorSlice like a pro (& when to NEVER use it)
Gear I Saw at NAB I'd Actually Shoot With
