Turbulence – Tumult for winds & percussion in Q flat minor Shorty 06

bandcamp: https://turbulence2.bandcamp.com/albu... YouTube    • Turbulence - Tummult   Evil Clown site https://evilclown.rocks/turbr-tumult/ Evil Clown Facebook site   / giantevilclown   Soundcloud:   / turbulence-tummult   Evil Clown 9231: Tumult for winds & percussion in Q flat minor – 1:10:31 Outpost 186, Cambridge MA – 19 October 2019 PEK - sopranino, alto, tenor & bass saxophones, clarinet & contralto clarinet, contrabassoon, guanzi, goat horn, mussette, tromboon, alto flute, Christmas flute, Russian wood flute, sheng, piano, game calls, slide whistles, gongs, Tibetan bowls, bells, castanets, flex-a-tone Jim Warshauer - alto saxophone, clarinet, flute, piccolo, reed-trumpet, game calls, flex-a-tone, rattles Bob Moores - trumpet, flugelhorn, log drum, wood blocks, came calls, Tibetan bowls, bells, gongs, castanets Eric Dahlman - trumpet, overtone voice, recorder, game galls, Korg Monotron synth, gongs, bells Duane Reed - baritone horn, game calls, wind siren, wood blocks, Tibetan bowls, bells, flex-a-tone TURBULENCE with PEK / JIM WARSHAUER / BOB MOORES / ERIC DAHLMAN / DUANE REED - Tumult (Evil Clown 9231; USA) Turbulence features PEK on assorted reeds, double-reeds, sheng, piano, game calls, etc, Jim Warshauer alto sax, clarinet, flutes, Bob Moores on trumpets & percussion, Eric Dahlman on trumpet, recorder & Korg synth and Duane Reed on bari horn, game calls & percussion. Turbulence is one of several Leap of Faith offshoot projects, which has some 10 or so releases with varying personnel. There is one long (70 minute) piece on this disc called “Tumult for Winds and Percussion in Q Flat Minor”. Since the regular Leap of Faith drummer (Yuri Zbitnov) is not present here, the other members of the quintet play assorted percussion. Everything flows here organically, from quiet and eerie to more intense eruptions with each musician playing one instrument at a time before they switch to something else. Game calls, hushed double and single reeds, fluttering trumpet(s), a tapestry of expanding percussion, flutes, building ever so slowly and transforming us as they sail away. Different combinations of musicians & instruments work well with one another, trading ideas, exploring and experimenting with their sounds. The cautious nature of this music makes it easier to absorb since the musicians take their time with each instrument and decide where and when to add to the evolving collage. We just got in seven new titles from the Leap of Faith folks, so it will take some time to listen and absorb each title. Stay tuned. - Bruce Lee Gallanter, DMG ----Liner Notes by PEK I formed Turbulence in 2015 as I started to assemble players for the Leap of Faith Orchestra. Turbulence, the extended horn section for the Orchestra (along with guests on other instruments), also records and performs as an independent unit. As if this writing in May of 2018, we have had about 20 albums on Evil Clown with greatly varied ensembles. The only musician on all of them is myself. The sessions range from an early duet with Steve Norton and Myself (Vortex Generation Mechanisms) to a 5 horn band with bass and two percussionists (Encryption Schemes) to four albums by the side project Turbulence Doom Choir which feature myself, multiple tubas, percussion, electronics and signal processing. This Turbulence set, Tumult, is performed by 5 regular horn players from the overall Evil Clown project. All have played with each other in multiple settings, and all have played many times with the auxiliary Evil Clown instruments. Together, theses things make a perfect ensemble to perform the Evil Clown broad palate improvisation aesthetic. Here, everyone plays their own wind instruments and we play wood and metal percussion instruments, game calls and other little instruments. When each player has access to so many different sounds, the improvisation naturally transforms through highly varied sonoritys… Funny story… at 2 pm on the day of the show, I had a dentist appointment for a new crown. Dentist numbed me up real good and I thought it would wear off in a few hours, but at 7:30 I was still a bit numb and I thought I might not be able to play the double reeds which require pressure from above and below the reed… Anyway, it wore off just in time for the show!