John Waters: O Papa do Lixo que Radicalizou o Cinema Queer
John Waters is known by most as the director of Hairspray. But that's the more domesticated Waters. To understand what he truly did for queer cinema, we need to go back to the 70s, when he filmed on the streets of Baltimore with minimal budgets and Divine as his muse. In this video, I tell the story of John Waters, the Pope of Trash, his influences (Kenneth Anger, Andy Warhol, and the Kuchar brothers), and the concepts that define his cinema: camp, trash aesthetics, and marginality as protagonist. I talk about Pink Flamingos, Female Trouble, Desperate Living, Polyester, and Hairspray, and how he migrated from the underground to the mainstream without abandoning his essence. This is the second episode of the series Queer Cinema and LGBT+ Cinema. #JohnWaters #QueerCinema #historyofcinema

John Waters (& Divine) on Letterman, Part 1 of 3: 1982

Top 10 Movies That Became LGBTQIA+ Cult Classics

Sylvester, Queen of SF | Panel Discussion

Music Queer: Die 20 wichtigsten Songs für Gleichberechtigung | Doku HD Reupload | ARTE

Disclosure Day: Does Spielberg still make great cinema?

Anti-Pride CRINGE | reaction

The Frank Zappa Interview That Still Feels Dangerous Today (1984)

Sins of the Weimar Republic

Why Ads Are Being Optimized Into Garbage

MINK STOLE talks Pink Flamingos, John Waters, Divine & her show Idol Worship (4K)

What is the difference between queer cinema and LGBT+ cinema?

How Frida Kahlo Became Everything She Hated

John Waters, Divine, & the Trinity of Trash

Queer Films Predicted the Future

Prostitute Gives Me a Tour of the Red Light District

Why Do I Love These VICIOUS Queens?

John Waters’ Closet Picks

The psychologist who traded science for redpill slop

Toby: neuter, genderless person pt1

