Fake Bel Canto VS Really Bel Canto3 Non piangere Liù
Very sad aria, Pavarotti focuses all his voice on the mouth, nose, forehead, is that appropriate? Pavarotti wants to express empathy, heroism, right? Pavarotti is totally out of place for this song. Suppose that your girlfriend encounters sad things, you persuade him, you will not open your mouth, crying, to persuade, other little girls have been scared to death. Run away. He sounds like an old man in love. Does it sound good? If Caruso were alive, I'd play Pavarotti for him. Would he say that? I'll swear! Pavarotti's first voice was wrong. Caruso said that the first sound in singing is very important, not from the mouth, not from the throat, but from the abdomen, from the chest, from a mixture of resonating cavities, from the chest, not from the mouth, not from the nose, not from the throat. Listen, Pavarotti, the first sound is wrong, coming from the mouth, the nose, the throat. You sing the first step is wrong, the breath is all running up, what is the technology? Joseph Schmidt sang softly, with enough air in his belly to support, expressing a variety of feelings. And the sound is long, the resonance is good, the sound is bright, the breath is smooth. Your Italian bel canto was ruined by the three tenors. It's long gone. But I... will inherit Caruso!

PLÁCIDO DOMINGO MASTERCLASS, PHILADELPHIA 1982 (enable subtitles-in several languages)

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