Как Ларс фон Триер мучает себя и других своими фильмами

Which Lars von Trier film is the easiest to start with? How does the director express himself through the characters of Kirsten Dunst, Stellan Skarskärd, Charlotte Ginzburg, and Willem Dafoe? What is the essence of the Dogme 95 manifesto, and how has it influenced all modern cinema? And why is Lars von Trier the Lynch who never made Twin Peaks? In the new episode of the "Close-up" podcast, Kinopoisk editor Daulet Zhanaidarov and film scholar Vsevolod Korshunov discuss Lars von Trier's career in the lead-up to his 70th birthday and examine "Nymphomaniac," "Dogville," "Breaking the Waves," "The House That Jack Built," "Melancholia," and "Antichrist." 0:00 What do Trier and Lynch have in common? 1:08 Hello! 1:40 What's the episode about? 2:46 How Vsevolod met Trier 3:46 How Daulet met Trier 4:35 Trier's Eras and Trilogies 5:47 Hooliganism and Provocations 6:36 Where would we be without Tarkovsky? 7:00 Trier gets harder to watch over the years 10:15 "Nymphomaniac" 12:05 Trier's Main Conflict 15:45 Autobiographical Film 19:17 "Dogville" 22:21 "Dogma 95" 28:01 The Main Tragedy in Trier's Life 29:40 Trier on the Layoff 30:15 Abusive Treatment of Actors 31:30 "Melancholia" 33:34 "The House That Jack Built" 35:23 Saying Goodbye Our podcast also has a Telegram channel. It's called "Obschim Plan"—subscribe to it at https://t.me/obschimplanom. We share interesting materials on episode topics, recommend films, and post various excerpts that weren't included in the episode. Feedback and suggestions on episode topics can be sent to: [email protected]