Raag Pahadi Tutorial | Dadra in Adhya | Notation | Moumita Mitra

Raag Pahadi Tutorial. Chalan followed by a Dadra in Adhya Taal with notation. Pahadi could be notated as S R M P D S' S' n D P M G R G S As per Ustad Ali Akbar Khan's notation As per this notation, the ThaaT is Kafi with Ma Sa as Vadi Samvadi This aroh avroh is similar to Jhinjhoti. however the centering around Ma gives a complete different expression. However the traditional form of writing notation has been S R G P D S' like Bhupali S' N D P M G R G R S In this case, the Ma is taken as Sa As per this notation, the ThaaT is Bilawal with Sa Pa as Vadi Samvadi However the overall tune remains same, jut the change of Sa is used in notation form. The mapping for Sa change is as follows: S r R g G M m P d D n N S' r' R' g' G' M' m' P' The Jhinjhoti like notation S R M P D S' R' M' P' S R G M P D n S' R' G' M' The Bhupali like notation S R G P D S' S R G M P D N S' Adhya Dadra Saajanwaa Kub Aaoge, Mai Kit Guzaaru Din Saaraa Din Nahi Chain Raat Nahi Nindiyaa Mai Bhai Baawaraa #Pahadi #Pahadi #pahaditutorial #ragatutorialseries #ragatutorialseriesmoumitamitra #pahadimoumitamitra #pahaditutorialmoumitamitra