A Distorted Truth | VELLAR | Indie Horror Game

New PC Gameplay. Full Game Walkthrough. We'll explore a shifting house filled with impossible rooms, distorted corridors, and uncover a truth that refuses to stay buried... ►CJUGames on Social Media   / cjugames     / cjugames   http://x.com/CjuGames   / discord     / cjugames   ►More Info - https://store.steampowered.com/app/46... ►About the Game - Warning: This game contains flashing lights that may trigger seizures in people with photosensitive epilepsy. Player discretion is advised. Vellar is a first-person psychological horror game where reality fractures, memories return in fragments, and recordings tell a story that doesn’t add up. Explore a shifting house and uncover a truth buried deep within a past you may not fully remember. Story A family is dead — but the recordings left behind reveal events that don’t match reality. As you explore the house, you will begin to piece together what happened in the days leading up to their deaths… and why certain memories feel disturbingly familiar. Gameplay Search through distorted rooms, collect items, solve environmental puzzles, and listen to unsettling recordings left behind by the house’s residents. Each tape reveals another fragment of the past, slowly pulling you deeper into a truth that refuses to stay hidden. Apparitions You are not alone. An ancient entity bound by a forgotten ritual still lingers within the house. It watches, reacts, and grows stronger as you uncover recordings from the past — and as your own memories begin to break apart. Items & Interaction Explore every corner of the house, collect useful items, and interact with your surroundings to uncover hidden clues. Every object may be part of a larger truth — one that connects the house, the recordings, and your own forgotten memories. Chapters 00:00:00 Mother 00:18:20 Baby 00:50:38 Father 01:08:00 Sister 01:21:14 Facecam Highlights #vellar #horror #indiegames * * * * * * * * * * * * ►Indie Game Playlist -    • Indie Horror Games / Single video   * * * * * * * * * * * *