Antonioni, Hitchcock and the Inner Self: Alain Robbe-Grillet & Tonino Guerra
Fellow filmmaker Alain Robbe-Grillet (screenwriter of Last Year at Marienbad) discusses how Antonioni’s rejection of meaning and a closed-circuit narrative defined the Modernist aesthetic. Positioning him against the plot-heavy Hitchcock, Robbe-Grillet notes the elusiveness of Antonioni’s intentions: “What you see is very clear, but the meaning of the images is constantly problematic…When the audience leaves, the film remains open.” For his part, Antonioni reflects on his attitude towards form and content and why the working class presents a richer opportunity for psychological exploration. 0:00 Alain Robbe-Grillet 3:20 Tonino Guerra

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Dinner with Robbe-Grillet in Naples

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French Passions: Tom McCarthy on Alain Robbe-Grillet

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Red Desert (1964) – Michelangelo Antonioni Interview

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Conférence d'Alain Robbe-Grillet en 1962 à propos du film «L'année dernière à Marienbad»

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Tom McCarthy on Robbe-Grillet: extracts

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Alain Robbe-Grillet, romancier et cinéaste français en 1964

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Tonino Guerra on Andrei Tarkovsky

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Peter Sellers was a master of joke telling timing, impersonation, and beautiful accents and language

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L’Avventura – Antonioni asks Cannes if they can imagine a revolution

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Catherine Robbe-Grillet "Savannah Bay"

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10 Small Behaviors the Upper Class Notice Immediately

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Benoît Peeters - Robbe-Grillet: the invention of the new novel

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Alain ROBBE GRILLET - 1979 ● Jacques Chancel ● │ RADIOSCOPIE

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Le cinéaste Michelangelo Antonioni en 1961, à propos de son style de cinéma

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Hannah Arendt im Gespräch mit Günter Gaus ("Zur Person", 1964)

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"O Cinema Clássico na ótica de Alfred Hitchcock" - Aula 1

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RANKING THE FILMS OF FEDERICO FELLINI: An In-Depth Reflection on a Master's Filmography

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Apostrophes: Alain Robbe-Grillet and Robert Kanters "Literary Creation" | INA Archive

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Visconti exclusive interview for The Damned 1969 / part 1

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