Dread Suite | Metroid Dread (Original Soundtrack) by Kenji Yamamoto
One of the main selling points of Metroid Dread was delivering on the title itself; dread. And the game delivered, with tense, frenetic gameplay mixed with daunting enemies and the fear of the unknown making you try your best to prepare for what's in the next room. The main theme of the game, which is mainly used for the early part of the game and Artaria, is the best at conveying the atmosphere of the game. With a simple, memorable three note motif that rings throughout each track, coupled with atmospheric ambience and electronic work, help set the mood perfectly without overdramatic instrumentation. Of course there are more intense moments, such the remixes for the temperature restoration and Corpius battle, but they help enhance the pre established tone the theme conveyed so well from the moment the title screen appeared. = edited/rearranged TRACKLIST: 0:00 Artaria Theme (Frozen Version) 2:48 Artaria Theme (Level 1) + Artaria Theme (Frozen Version) 2:55 Artaria Theme (Level 1) 4:26 Opening + Artaria Theme (Level 1) 4:33 Opening* 5:05 Artaria Theme (Level 2) 6:01 Artaria Theme (Level 3) 7:20 Artaria Theme (Temperature Restoration) + Artaria Theme (Level 3) 7:26 Artaria Theme (Temperature Restoration) 9:06 Corpious Boss Theme Intro + Artaria Theme (Temperature Restoration) 9:15 Corpious Boss Theme Intro 9:29 Corpious Boss Theme 1 11:13 Corpious Boss Theme Intro + Corpious Boss Theme 1 11:16 Corpious Boss Theme 2 13:04 Corpious Boss Theme Intro + Corpious Boss Theme 2 13:08 Title Screen ℗ 2021 Nintendo #nintendo #metroid #metroiddread Composers/Arrangers - Kenji Yamamoto, Soshi Abe, and Sayako Doi Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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